32
Telemachus and the Nymphs of Calypso
Angelica Kauffmann inv., F. Bartolozzi inc., Publ. by M. Ryland, London in 1788., Colored engraving, mm. 290x380
32
Telemachus and the Nymphs of Calypso
Angelica Kauffmann inv., F. Bartolozzi inc., Publ. by M. Ryland, London in 1788., Colored engraving, mm. 290x380
33
Cornelia mother of the Gracchi
Angelica Kauffmann inv., F. Bartolozzi inc., Publ. by M. Ryland, London in 1788., Colored engraving, mm. 290x380
33
Cornelia mother of the Gracchi
Angelica Kauffmann inv., F. Bartolozzi inc., Publ. by M. Ryland, London in 1788., Colored engraving, mm. 290x380
36
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Rape of the Sabine Women (from Polidoro da Caravaggio)
Burin engraving, mm. 173x495
36
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Rape of the Sabine Women (from Polidoro da Caravaggio)
Burin engraving, mm. 173x495
37
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
The triumph of two Roman emperors (from Polidoro da Caravaggio)
Burin engraving, mm. 170x415
37
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
The triumph of two Roman emperors (from Polidoro da Caravaggio)
Burin engraving, mm. 170x415
38
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Rape of the Sabine Women
Burin engraving, mm. 170x505
38
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Rape of the Sabine Women
Burin engraving, mm. 170x505
39
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Rape of the Sabine Women
Burin engraving, mm. 170x415
39
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Rape of the Sabine Women
Burin engraving, mm. 170x415
40
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Muses and poets on Mount Parnassus
The subject derives from friezes painted by Polidoro da Caravaggio, Burin engraving, mm. 160x235
40
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Muses and poets on Mount Parnassus
The subject derives from friezes painted by Polidoro da Caravaggio, Burin engraving, mm. 160x235
42
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Singing angels (from Polidoro da Caravaggio)
1583
The engraving is the first of a series of four depicting a concert of angels, taken from the frescoes by Polidoro [..], Engraving, mm. 207x118
42
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Singing angels (from Polidoro da Caravaggio)
1583
The engraving is the first of a series of four depicting a concert of angels, taken from the frescoes by Polidoro [..], Engraving, mm. 207x118
44
Anonimo, XVII sec.
Allegory on the Maritime Forces (from Cherubino Alberti)
1628
Burin engraving, mm. 335x170
44
Anonimo, XVII sec.
Allegory on the Maritime Forces (from Cherubino Alberti)
1628
Burin engraving, mm. 335x170
46
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Sculptures of Emperors
Burin engraving, mm. 315x210; mm. 330x212
46
Cherubino Alberti
(Borgo San Sepolcro, 1553 - Roma, 1615)
Sculptures of Emperors
Burin engraving, mm. 315x210; mm. 330x212
47
Scuola Toscana, XVIII sec.
Courtyard study with figures
Black pencil, pen and ink, brush and gray watercolor ink, laid paper, mm. 480x690
47
Scuola Toscana, XVIII sec.
Courtyard study with figures
Black pencil, pen and ink, brush and gray watercolor ink, laid paper, mm. 480x690
49
Anonimo, XIX sec.
Nude with club
1871
Handwritten label applied at the bottom right: "Dessiné par R. d'E [...] d'après le dessin original de Raphael [..], Pencil on paper, cm. 50x32
49
Anonimo, XIX sec.
Nude with club
1871
Handwritten label applied at the bottom right: "Dessiné par R. d'E [...] d'après le dessin original de Raphael [..], Pencil on paper, cm. 50x32
51
Anonimo, prima metà XIX sec.
Penitent Magdalene
On the reverse: label "Johnson & amp; Sons, Belfast", Oil painting on canvas, cm. 106x90
51
Anonimo, prima metà XIX sec.
Penitent Magdalene
On the reverse: label "Johnson & amp; Sons, Belfast", Oil painting on canvas, cm. 106x90
52
Cupid and Nymph
Pair of bronze sculptures on circular marble bases. French school, late 18th-19th century cm. 29 (height)
52
Cupid and Nymph
Pair of bronze sculptures on circular marble bases. French school, late 18th-19th century cm. 29 (height)
59
Scuola Emiliana, XVII sec.
Magdalene
On the reverse: inscription "n. 63 Guercino from Palazzo Gerini, Florence", Oil painting on canvas, cm. 92x66.5
59
Scuola Emiliana, XVII sec.
Magdalene
On the reverse: inscription "n. 63 Guercino from Palazzo Gerini, Florence", Oil painting on canvas, cm. 92x66.5
60
Anonimo, XVII sec.
Portrait of Margherita Borghese
On the reverse: ancient illegible handwritten cartouche., Oil painting on canvas, cm. 55x50
60
Anonimo, XVII sec.
Portrait of Margherita Borghese
On the reverse: ancient illegible handwritten cartouche., Oil painting on canvas, cm. 55x50